Joyce and Budgen

Joyce and Budgen spent much of the war in the same city, Zurich, and similar social circles of artists,^[6] writers and musicians. According to Budgen's 1934 memoir James Joyce and the Making of Ulysses, Joyce regularly discussed aesthetic matters with him, often referring to the content of Joyce's A Portrait of the Artist as a Young Man, Ulysses and Finnegans Wake. The last of these three, Budgen stated, Joyce referred to at the time as Work in Progress; indeed a number of the conversations he reports as having had with Joyce imply that the author was working out the form and content of this work in part by arguing with Budgen.

Joyce scholar Clive Hart wrote about him:

One of Budgen's many fine qualities was a gift for making new friendships with people of all ages. Although he used occasionally to grumble about the unfortunate effects of technological progress on the quality of life in London and elsewhere, he never failed, even in his last years, to welcome new life, new experience. In his thirties, when he and Joyce were closest, Budgen must have been a most stimulating companion. Even in his eighties he was an excellent man at a party, enjoying the company of people of all kinds, being lionized by many of the men and by virtually all of the women, talking with zest, listening (as few people do) with equal zest. It was when he was in the company of a number of his friends that one saw most clearly the vigorous, intelligent, endlessly curious man whom Joyce had known.^[7]

Frank and Francine Budgen are buried at the graveyard of St George’s Church, Crowhurst, Surrey.